Stretching watercolour paper can stop your paper from buckling, but first you need a stretching board...Read More
I am starting a new multi-painting project. The final version will be watercolour, but I thought I would share some of the design process before I start painting.
I will be using 300 gsm, A4 watercolour paper (Arches, 100% cotton) and at 6 bucks a sheet I don't want to take any chances with stuff-ups! There is always a chance that something will go wrong and watercolour can be very unforgiving, so I am doing quite a bit of planning for each image.
To start, I create a basic 3D render of the scene, very basic. This is to get the general placement and shadows of each element. I print the render on A4 presentation paper and overlay it with a sheet of good quality tracing paper. This is where the drawing starts.
The image will be transferred from the tracing paper to the watercolour paper using the fairly standard method of chalk or graphite on the back and a hard, sharp pencil. One of the benefits of this method is: if I completely stuff-up the painting I always have the pre-sketch to start again.
Those who have seen my work before might recognise the image on the left... Yes, I am finally going to tell the story of what that giant yellow airship has been doing floating from location to location.
The pen fanciers might notice my lovely Rotring 800 series 2mm pencil - yes, you can still get them!
23 x 30.5 cm
Shmincke watercolours, Copic fineliner, Canson 100% cotton - 300gsm watercolour paper.
A dear friend bought me a lovely Waterman fountain pen for my birthday.
So I had to draw an octopus...
Fountain pen on paper, scanned with Adobe Capture and colourised with Adobe Draw.
A little watercolour sketch of something lurking behind a wall.
6 x 6 inches
Sennelier watercolour, Papier Canal Saint-Armand.